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Cannes 2021 / Critics’ Week

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29 articles available in total starting from 08/01/2021. Last article published on 19/07/2021.

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Review: Bruno Reidal, Confessions of a Murderer

Review: Bruno Reidal, Confessions of a Murderer

CANNES 2021: Vincent Le Port makes a spectacular entry into the world of feature filmmaking with a dark and clinical film heir to Bresson and Haneke, about a criminal destiny  

11/07/2021 | Cannes 2021 | Critics’ Week

Samuel Theis • Director of Softie

Interview: Samuel Theis • Director of Softie

“This film is a child’s portrait, but most of all it is about the question of defecting from one’s class”

CANNES 2021: The French filmmaker discusses his second feature, a very endearing, simple and subtle work presented in Critics’ Week  

11/07/2021 | Cannes 2021 | Critics' Week

Review: Zero Fucks Given

Review: Zero Fucks Given

CANNES 2021: Adèle Exarchopoulos dazzles as an air hostess working for a low budget airline in an original first feature film full of contrasts by Julie Lecoustre and Emmanuel Marre  

11/07/2021 | Cannes 2021 | Critics’ Week

Review: Anaïs in Love

Review: Anaïs in Love

CANNES 2021: Charline Bourgeois-Tacquet delivers a fast-paced, existentialist comedy of manners which is refreshing, entertaining and skilfully subdued  

11/07/2021 | Cannes 2021 | Critics’ Week

Review: Small Body

Review: Small Body

CANNES 2021: Laura Samani’s debut film is a story about women in north-east Italy at the beginning of the 20th century who rebel against the dominant culture and hold on to hope  

10/07/2021 | Cannes 2021 | Critics’ Week

Review: Softie

Review: Softie

CANNES 2021: Returning to Forbach after Party Girl, Samuel Theis signs a very endearing, simple and subtle piece of work, on the awakening of a boy from a modest background towards new horizons  

09/07/2021 | Cannes 2021 | Critics’ Week

Clara Roquet • Director of Libertad

Interview: Clara Roquet • Director of Libertad

“You can forge your own style of directing”

CANNES 2021: The screenwriter who has teamed up with filmmakers such as Jaime Rosales and Carlos Marqués-Marcet makes her feature-length directorial debut by broaching the complex topic of freedom  

09/07/2021 | Cannes 2021 | Critics’ Week

Review: Olga

Review: Olga

CANNES 2021: Gymnastics and Ukrainian revolution for the teenage champion at the heart of the first feature from Elie Grappe, which explores the contrasting facets of total devotion  

09/07/2021 | Cannes 2021 | Critics’ Week

Review: Libertad

Review: Libertad

CANNES 2021: Clara Roquet imbues every little detail in her feature debut with meaning, as she delves into the complexities of attaining freedom from the point of view of a teenage girl  

08/07/2021 | Cannes 2021 | Critics’ Week

Vincent Le Port • Director of Bruno Reidal, Confessions of a Murderer

Interview: Vincent Le Port • Director of Bruno Reidal, Confessions of a Murderer

“The viewer needs the necessary distance and space to reflect on what he sees”

CANNES 2021: The French director presents an intimate drama film about a young man struggling with his inner demons  

08/07/2021 | Cannes 2021 | Critics’ Week

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